Edgefield pottery marks

In the utilitarian pottery that dominated life in Edgefield, it seems the enslaved passengers of the Wanderer found a new medium in which to preserve some of those customs and beliefs.Contemporary historians, including John Michael Vlach, see direct connections between Bakongo culture and the Edgefield face jugs.Research …

Determine pottery marks with lexicon. To use the studio pottery pottery marks lexicon online optimally and find for example german pottery marks please type in the search field above the table, what exactly you can identify as a mark on the pottery.For example, if the studio pottery mark consists of a K in a circle, type “K in a circle” in the search field (do …Active: 1880-1967. Rookwood Marks. Rookwood is known for its high-quality art pottery and clay tile. The most valuable pottery mark from Rookwood is the “ROOKWOOD” mark with the year of manufacture, which was used from around 1882 to 1886. Several other marks, including the backward R P initial mark, followed.David Drake (Dave the Potter) for Lewis Miles Pottery. Rare storage jar. 1855, alkaline-glazed stoneware. 14 h × 12 dia in. result: $68,750. estimate: $75,000–95,000. Large incised signature and number to body ‘Dave Decr 11 1855 Lm ’ with two incised slashes and four dots, indicating a storage capacity of approximately four gallons.Dave the Potter (born c. 1800, probably United States—died 1870s, Edgefield, South Carolina?) was an American potter and poet who, while a slave in South Carolina, produced enormous stoneware pots, many of which he signed with his first name and inscribed with original poetic verses.. Definitive information about Dave’s life is …ABSTRACT Alkaline-glazed stoneware developed in the Edgefield District of South Carolina in the early nineteenth century and employed a range of decorations and marks that drew from European ceramic traditions and reflected pottery factory owner’s preferences, styles, and tastes.The landmark exhibition Hear Me Now: The Black Potters of Old Edgefield, South Carolina opens at The Metropolitan Museum of Art on September 9, 2022. Focusing on the work of African American potters in the19th-century American South, in dialogue with contemporary artistic responses, the exhibition presents approximately 50 ceramic objects from ...Sep 14, 2014 · Marks and Decorations at the John Landrum Pottery Site. Paperback – September 14, 2014. In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers ...

Drake continued to produce pottery at the factory, but in 1840, he was sold to Lewis Miles, John Landrum’s son-in-law. A pot dated July 31, 1840, marks Drake’s transition to Miles’ Stoney Bluff Plantation factory with the inscription “Dave belongs to Mr. Miles, where the oven bakes and the pots bile.”The Old Edgefield District potteries (which extended across the boundaries of several counties in South Carolina today, including Edgefield) grew strong in part because of natural resources particular to that locale, but also because white manufacturers exploited the unpaid labor of enslaved African men, women, and children originally brought to...Fennell, Christopher (2011). "Literate Inversions and Cultural Metaphors in Edgefield Stoneware," in "Crosses to Bear: Cross Marks as African Symbols in Southern Pottery," thematic forum of articles edited by Charles R. Ewen.Historical Archaeology 45(2): 156-162. Ferguson, Leland G. (2011).Stay, Explore, Experience. Built in 1911 as the county poor farm, historic Edgefield is a destination resort in the Pacific Northwest that blends Oregon's natural beauty with McMenamins' signature whimsy. Original buildings have been carefully restored, gardens bloom, great food and drink abound, and entertainment reigns.Learn about Old Edgefield pottery artist Justin Guy, master potter in Edgefield County, S.C., and the proliferation of pottery to the area in the 1800s.Feb 7, 2024 · Drake continued to produce pottery at the factory, but in 1840, he was sold to Lewis Miles, John Landrum’s son-in-law. A pot dated July 31, 1840, marks Drake’s transition to Miles’ Stoney Bluff Plantation factory with the inscription “Dave belongs to Mr. Miles, where the oven bakes and the pots bile.” Potters and businessmen associated with the U.S. Pottery Company in Bennington, Vermont, established the Southern Porcelain Company in 1856. Using northern workmen and managers, they made a variety of wares, including plain white and cream-colored earthenware, high-fired ironstone, porcelaneous stoneware, true porcelain, and Rockingham-type wares.

The post–Civil War decades of the 19th and early 20th centuries are the period most commonly associated with the origins of industrialization in the southeastern United States. Recently, however, researchers working in Edgefield, South Carolina, have presented compelling archaeological evidence for the industrial production of stoneware, …2 minutes to read. The term “Edgefield pottery” is used to identify alkaline-glazed stoneware first produced in Edgefield District in the 1810s. Edgefield pottery blends the cultural traditions of England, Europe, Asia, and Africa.Aug 31, 2016 · Exterior also has glaze drips. Interior is decorated with iron slip that has been applied in a loop pattern on the sides and a floral pattern on the bottom. Glaze has been wiped off the rim; exterior base is unglazed. Finger marks are apparent on exterior walls at base. Some iron spots occurred at base during firing. About Edgefield Pottery. The Crossroads of Clay project began in 1981, under the direction of Dr. George D. Terry, then Curator of History and Associate Director of McKissick Museum. The project aimed to research the development and diffusion of the southern alkaline-glazed stoneware potter tradition which virtually died out in South Carolina ...The Origins of Edgefield Pottery. Adrienne Spinozzi November 11, 2022. , , Fig. 1. Face jugs, Old Edgefield District, South Carolina, c. 1850–1885. Height of tallest: 10 ½ inches. The one on the left is in the collection of April L. Hynes; the others are in the Metropolitan Museum of Art. All photographs by Eileen Travell, courtesy of the ... Small Incised Edgefield Stoneware Jug: possibly attributed to a Landrum Pottery, Edgefield District, South Carolina, circa 1840's, brown alkaline glaze, small ovoid form, coggle wheel or dotted "A" mark on shoulder, applied strap handle, double collared neck, 8-1/4 in. - Provenance: Collection of Dr. Joseph T. and Gaile E. Wingard, Jacksonville ...

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His tremendous skill, strength, and literacy allowed Dave to make a permanent mark in history. Customarily, stoneware pottery was marked with a stamp near the base of the vessel, indicating the name of its manufacturer. In 1834 Dave began signing and dating his vessels. The example below shows a jar Dave made in 1857.Marks In Common: Current Research on African American Marks on Colonoware and Edgefield Stoneware. Nicole Isenbarger. 2011, South Carolina Antiquities.The Pottery Marks of Dave Drake, African American Poet Potter - Kindle edition by Hardman, Samuel. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Pottery Marks of Dave Drake, African American Poet Potter.Thank you for bringing this exhibition to us! Nov 11, 2023. Discover the rich history and exquisite artistry of Edgefield, South Carolina's folk pottery with Stoneware Stories exhibition organized by La Historia Society. Explore the unique traditions, techniques, and cultural significance of Edgefield's pottery heritage.Edgefield’s most renowned potter, Dave Drake, aka Dave the Potter, or more commonly just Dave, began his pottery journey shortly after the turn of the 19th century. “Dave was born about 1801,” said Guy. “He would have learned about the age of 10 and we know he continued into his 70’s.”. Over the course of his lifetime, Dave created ...

While Abner Landrum established the use of alkaline glazes in the South, master potter Thomas Chandler (1810–54) elevated the aesthetics of Edgefield pottery. After moving to the area in the late 1830s, Chandler introduced distinctive celadon-colored glazes and slip decorating, in which liquid clay is brushed or trailed onto the vessel’s ...Feb 26, 2021 ... Drake, who worked in the pottery district of Edgefield, South Carolina, is one of the best known—and one of the relatively few identified—Black ...Sarreguemines Mark France. Wien Keramos Austrian c1930. Mayer & Sherratt c1906 to 1920. Wade Pottery Mark c1957 onwards. Gerbing & Stephan G & St c1861 to 1900. Louis Majorelle Makers Mark. Staffordshire Porcelain Knot Mark. Taxile Doat Mark on Sevres Porcelain. M & Co Mark Minton c1841 to 1873.Wilson & Company, as shown by the impressed mark on the shoulder. ... The Edgefield potters brought their skills when they moved to eastern and central Texas.Mar 1, 2023 · In “ Hear Me Now: The Black Potters of Old Edgefield South Carolina ,” opening March 4 at the Museum of Fine Arts, Boston, we are provided with an introduction to Edgefield pottery and an ... The term “Edgefield pottery” is used to identify alkaline-glazed stoneware first produced in Edgefield District in the 1810s. Edgefield pottery blends the cultural …If you’re a fan of beautiful, handcrafted ceramics, then you’re probably familiar with the allure of Polish pottery. Known for its intricate designs and vibrant colors, Polish pott...As there were so many pots to fit into the Pottery center, Mark was creative in his display; arranging groups of pots together, almost in still life scenes. This was partly out of necessity but also inspired by an exhibition of ceramics called "Parades," organised by Gwyn Hanssen Pigott (2006-2008), at the Freer Gallery of Art in Washington DC.David Drake, I made this jar for cash, though it is called lucre trash. Alkaline glaze stoneware, 1857. David Drake (c. 1800 – c. 1870s), also known as "Dave Pottery" and "Dave the Potter," was an American potter and enslaved African American who lived in Edgefield, South Carolina. Drake lived and worked in Edgefield for almost all his life.MARKS. If a piece of pottery is marked and you know whose mark it is, you can attribute the age of the pot to sometime during that potter's (or pottery's) ...Jun 8, 2022 · Edgefield pottery is known for being very large, durable stoneware pots and jugs. Pieces made by slave, Dave the Potter. Tonya’s husband, Justin Guy, is a Master Potter, who recently won the ... Edgefield Pottery . In 1815, the Landrums established the Edgefield pottery-making district in west-central South Carolina, and by the mid-19th century, the …

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The fifth edition of a guide to pottery and porcelain marks which was first published in 1959. The book has 20 sections covering all marks known in Britain and ...Like many ceramic works, pieces from Haeger Potteries can be identified through distinctive marks and characteristics, including the name of the manufacturer. A model number might ...Edgefield, South Carolina. This wheel-thrown, alkaline-glazed stoneware bowl was made around 1845 by Thomas Chandler (1810-1854). ... Ohio Pottery and Glass: Marks and Manufacturers. Des Moines, IA: Wallace-Homestead Book Co., 1978. Peck, Herbert. The Book of Rookwood Pottery. New York: Crown Publishers, 1968. Purviance, Louise; Evan …ATLANTA, Sept. 12, 2023 — Coming this spring, the High Museum of Art will be the exclusive Southeast venue for “Hear Me Now: The Black Potters of Old Edgefield, South Carolina” (Feb. 16-May 12, 2024), a critically acclaimed exhibition featuring nearly 60 ceramic objects created by enslaved African Americans in Edgefield, South Carolina, in …Edgefield Pottery (Marked Inverted V) Early Pottersville Jug Stoneware C 1820. This piece is from the Pottersville Site in Edgefield S. It was turned 1820 give or take 10 years. Marks- it has an inverted V on the shoulder. Deep mark and covered with glaze. It also has another mark on the shoulder, it is a horizontal linear mark under the glaze ...A pottery mark is a stamp, logo, or signature on a piece of pottery or porcelain. Pottery marks can be found on the bottom of a piece and used to identify the maker, the country of manufacture, and sometimes the date it was made. A few makers used paper labels instead of pottery marks, but these can be tricky to identify.Determine pottery marks with lexicon. To use the studio pottery pottery marks lexicon online optimally and find for example german pottery marks please type in the search field above the table, what exactly you can identify as a mark on the pottery.For example, if the studio pottery mark consists of a K in a circle, type “K in a circle” in the search field (do … Mark M. Newell The Search Continues: New Insights into Old Edgefield Folk Potters. In the 1930s, recognizing that few potters who witnessed the closing years of the Old Edgefield folk pottery tradition remained, the Charleston Museum wittingly compiled information about the vanishing industry. Up for auction is a very nice Southern Edgefield South Carolina Pottery Clabber Bowl with Handle 1880's -approx 8" tall x approx 8-1/2" wide diameter at the top. It has a tooled Lip and attached strap handle. The Alkaline glaze with iron slip has runny areas on it. You can see the finger marks w the potter dipped it in the glaze.An 1858 stoneware churn inscribed by David Drake, a slave potter in Edgefield, S.C. Charlton Hall Galleries. “You can see the markings where his hands, his fingers, were in there,” said Mark ...

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Storage jar, Trapp and Chandler Pottery, Edgefield District, South Carolina, 1848–1850. Alkaline-glazed stoneware. H. 11 1/2". Impressed mark: “TRAPP & CHANDLER” (Courtesy, L. C. Lynch; photo, Jan Todd.) By 1848 Chandler was using draped lines with loops beneath, in iron or kaolin slip, as his primary decorative motif. This large, attractive, and very heavy lug-handled light-colored yellow-green Edgefield churn is marked with three slashes to the shoulder (See Cinda Baldwin's GREAT AND NOBLE JAR, pp. 40, 41, and 78, in reference to slave potters' use of the slash mark). The piece looks double-dipped, with glaze runs from the top midway down the side, and is ... "'All of Cross'—African Potters, Marks, and Meanings of Folk Pottery in Edgefield District, South Carolina," in "Crosses to Bear: Cross Marks as African Symbols in Southern Pottery," thematic forum of articles edited by Charles R. Ewen. Historical Archaeology 45(2): 134-155 .Title: Face jug. Maker: Unrecorded Edgefield District potter (American) Manufacturer: Unknown Old Edgefield District Pottery. Date: ca. 1850–80. Geography: Made in Edgefield County, South Carolina, United States. Culture: American. Medium: Alkaline-glazed stoneware with kaolin. Dimensions: 10 1/4 in. (26 cm)May 7, 2024 ... Daniel Fuller reviews the historical presentation and accountability of the pottery found inHear Me Now: The Black Potters of Old Edgefield…Summary: Alkaline-glazed stoneware developed in the Edgefield District of South Carolina in the early nineteenth century and employed a range of decorations and marks that drew from European ceramic traditions and reflected pottery factory owner’s preferences, styles, and tastes. However, Edgefield stoneware also includes symbols and marks that were …Learn about the history, style, and legacy of Edgefield pottery, a unique type of stoneware with alkaline glaze and African, European, and Asian influences. Discover how Dave the … The circled areas show the [Abner] Landrum pottery, CH [Edgefield Courthouse], the Rev. Jn. Landrum pottery, and Big Horse Creek. Figure 11 Detail of the 1870 Federal Census, Population Schedule, South Carolina, showing Dave and Mark Jones and his family in the same household. Dave the Potter (born c. 1800, probably United States—died 1870s, Edgefield, South Carolina?) was an American potter and poet who, while a slave in South Carolina, produced enormous stoneware pots, many of which he signed with his first name and inscribed with original poetic verses.. Definitive information about Dave’s life is …A Manual of Marks on Pottery and Porcela - Specialty Appraisals ….

To achieve the unique properties of Edgefield Pottery, it takes clay from three different areas of the state, and it's a six-month process, from digging up the clay to firing and cooling the pots, to create a finished piece. Even more fascinating were the stories of the most famous of the Edgefield potters, a slave named Dave Drake whose works ...The majority of the most sizable jars made by David Drake—the famed enslaved potter and poet—by far the largest objects made in Edgefield, date between …Published: Dec. 7, 2022 at 3:26 PM PST. EDGEFIELD, S.C. (WRDW/WAGT) - We’re learning more about how suspects got away with almost 40 pieces of pottery. They were stolen from the Tompkins Library ...Edgefield Pottery . In 1815, the Landrums established the Edgefield pottery-making district in west-central South Carolina, and by the mid-19th century, the …Thank you for bringing this exhibition to us! Nov 11, 2023. Discover the rich history and exquisite artistry of Edgefield, South Carolina's folk pottery with Stoneware Stories exhibition organized by La Historia Society. Explore the unique traditions, techniques, and cultural significance of Edgefield's pottery heritage.What are the marks on Edgefield pottery? The marks on Edgefield pottery were not merely decorative, but held significant meaning. One notable mark found on …Archaeological evidence suggests this face jug may have been made at Miles Mill Pottery (1867-85), opened by Lewis J. Miles after emancipation and following the closing of his nearby Stony Bluff Manufactory. Face jug by unrecorded Old Edgefield District potter, 1867-85, alkaline-glazed stoneware with kaolin, height 8 inches.May 31, 2012 · Just three weeks ago, a pot linked to Dave, a literate slave whose technique and tendency to write poetry on his wares made him a superstar of Edgefield pottery, sold for $30,000 at auction. Other pieces, including one acquired for $185,000 by the High Museum of Art in Atlanta, are selling for even more. The price spike is part history and part ... Edgefield pottery is specific to the factories it was created in and the communities that crafted it. Known for earthy brown alkaline-glazed tones, the pottery was produced on a mass scale and distributed throughout the United States. Much like Tupperware in people’s cupboards in recent decades, Edgefield stoneware was often used for utility. As Edgefield potters left South Carolina beginning in the 1820s, lured by land in westward states including Georgia, Alabama, Mississippi, and Texas, they disseminated the craft of alkaline-glazed stoneware. Thomas Chandler and Collin Rhodes both moved from South Carolina in the early 1850s. A steady decline in pottery manufacturing in ... Edgefield pottery marks, The birthplace of Southeastern Stoneware? Some is considered a "non-translucent porcelain" and rings when struck (see great and noblr jar ch1p3 for more detail). Regarding handles: "Most early Edgefield District potters used strap handles that were rounded in cross section. One exception to this rule was Edgefield potter Thomas Chandler. Chandler used a thinner, ribbed handle that is roughly ... , Exterior also has glaze drips. Interior is decorated with iron slip that has been applied in a loop pattern on the sides and a floral pattern on the bottom. Glaze has been wiped off the rim; exterior base is unglazed. Finger marks are apparent on exterior walls at base. Some iron spots occurred at base during firing., Edgefield County is known for its extraordinary contributions to American stoneware pottery. A combination of necessary natural resources, slave labor, and good fortune helped put Edgefield on the map, and its unique history has been recreated with the help of Old Edgefield Pottery and its resident historian and potter, Stephen Ferrell., The most accurate way to identify a fake Weller pottery mark is to compare it to the photographs in a reference guide. Some pieces of Weller pottery have marks stamped in ink, whil..., “Crosses to Bear: Cross Marks as African Symbols in Southern Pottery,” thematic forum of articles edited by Charles R. Ewen. Historical Archaeology 45(2): 184- ... 7–9 mm diameter marks already identified on Edgefield stonewares. It also appears to have been marked by a carved wooden dowel, similar to the methods used for the Landrum ..., Looking for the best Marks & Spencer kitchen tools to make your cooking experience easier and more enjoyable? Look no further than this guide! With essential tools stocking your ki..., This article examines the histories of stoneware pottery production facilities in Edgefield, South Carolina, and the roles of European Americans and African Americans as entrepreneurs, artisans, and laborers in those potteries in the period of 1790–1900. Based on exhaustive analysis of documentary sources, the authors present a comprehensive ..., Summary: Alkaline-glazed stoneware developed in the Edgefield District of South Carolina in the early nineteenth century and employed a range of decorations and marks that drew from European ceramic traditions and reflected pottery factory owner’s preferences, styles, and tastes. However, Edgefield stoneware also includes symbols and marks ..., Mark Newell. David Drake (1800–1874) was an influential African American ceramic artist, enslaved from birth under the pottery -making families of Edgefield, South Carolina. Also known as Dave the Potter, Dave Pottery, Dave the Slave, or Dave of the Hive, he is known to have had several different enslavers during his lifetime, including ..., As of July 2014, two basic Royal Bayreuth pottery marks have been in use since 1968. A stylized “T” mark was the only way to identify Royal Bayreuth porcelain from 1794 to 1885. Th..., Feb 26, 2021 ... Drake, who worked in the pottery district of Edgefield, South Carolina, is one of the best known—and one of the relatively few identified—Black ..., district that developed around Edgefield, South Carolina. Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American named Dave, who incorpo rated poetic verse onto some of the pottery he made, as well as other marks including an X and slashes., 1. Understanding Pottery Marks. Pottery marks are your clues to uncovering the history, origin, and authenticity of ceramic and porcelain pieces. They can indicate the maker, age, and sometimes the location where a piece was made. History and Significance. Marks on pottery serve as unique fingerprints left by potters or …, Sep 14, 2014 · In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers, including a man named Dave, who probably served as a turner. , In “ Hear Me Now: The Black Potters of Old Edgefield South Carolina ,” opening March 4 at the Museum of Fine Arts, Boston, we are provided with an introduction to Edgefield pottery and an ..., Over 200 hundred years ago, hands toiled in the earth here and formed the first successful production of stoneware in the Southeast. Fast forward to today, and our local pottery is one of the most sought after art forms in the country. Here you will find articles on the how, why, and who of Old Edgefield Pottery., Stretch marks, also known as striae, are scars that appear on various parts of your skin, primarily around your stomach, thighs, hips, breasts, upper arms, lower back and calves. P..., Come closer and you see the wild runs of alkaline glaze up and down the surface, and some revealing marks by the artist known as Dave the Potter or David …, Title: Face jug. Maker: Unrecorded Edgefield District potter (American) Manufacturer: Unknown Old Edgefield District Pottery. Date: ca. 1850–80. Geography: Made in Edgefield County, South Carolina, United States. Culture: American. Medium: Alkaline-glazed stoneware with kaolin. Dimensions: 10 1/4 in. (26 cm), Pottery furniture is a timeless and classic choice for home décor. Not only does it add a unique touch to any room, but it also offers many practical benefits. From its durability ..., district that developed around Edgefield, South Carolina. Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American named Dave, who incorpo rated poetic verse onto some of the pottery he made, as well as other marks including an X and slashes., Sep 14, 2014 · Marks and Decorations at the John Landrum Pottery Site. Paperback – September 14, 2014. In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers ... , The birthplace of Southeastern Stoneware? Some is considered a "non-translucent porcelain" and rings when struck (see great and noblr jar ch1p3 for more detail). …, His tremendous skill, strength, and literacy allowed Dave to make a permanent mark in history. Customarily, stoneware pottery was marked with a stamp near the base of the vessel, indicating the name of its …, There’s nothing like a good cup of coffee, especially when you’re drinking it out of your own custom ceramic coffee mug. Ceramics classes can teach you how to make creations with a..., Preparing Edgefield Pottery for Curation. 2 minute read; ... making sure to include any marks, stamps, or fingerprints that are visible. We also had the chance to practice our newly acquired water-screening skills on samples taken from the Fort Fredrick Heritage Preserve. We discovered porcelain sherds and catfish spines while screening, …, Old Edgefield Pottery, 230 Simkins St., Edgefield, (803) 637-2060. Hours are Tuesday-Saturday, 10 a.m. to 5 p.m. Visit Steve Farrell's studio and learn about the history of Edgefield Pottery and the Heritage Corridor. Catawba Cultural Center, 1536 Tom Stevens Road, Rock Hill, (803) 328-2427. , Claudia Arzeno Mooney, April L. Hynes, and Mark M. Newell African-American Face Vessels: History and Ritual in 19th-Century Edgefield. When my paw, ‘Obie’ wuz a courtin, a nigger put a spell on him kaise he was a wantin’ my maw too. De nigger got a conjure bag and drapped it in de spring what my paw drunk water from., Summary: Alkaline-glazed stoneware developed in the Edgefield District of South Carolina in the early nineteenth century and employed a range of decorations and marks that drew from European ceramic traditions and reflected pottery factory owner’s preferences, styles, and tastes. However, Edgefield stoneware also includes symbols and marks ..., If you are considering getting ceramic coating for your vehicle, one of the important factors to consider is the cost. Ceramic coating is a popular option for car owners who want t..., Dave the Potter (born c. 1800, probably United States—died 1870s, Edgefield, South Carolina?) was an American potter and poet who, while a slave in South Carolina, produced enormous stoneware pots, many of which he signed with his first name and inscribed with original poetic verses.. Definitive information about Dave’s life is …, Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American …, From this origin, dozens of other potteries sprang up across Edgefield District and created wares from that time until the present, going through various changes and technologies. For over two centuries, Edgefield Pottery was made by such famous names as Landrum, Chandler, Rhodes, Storke, Dave Drake, Miles, Baynham, and Hahn.